In 2016, the estimates of modern slavery in Sub-Saharan Africa accounted for approximately 13.6 percent of the world's total enslaved population. As evident from surveys conducted in Ghana, Nigeria, South Africa and Ethiopia by Walk Free Foundation, slavery in Sub-Saharan Africa takes the form of forced labour and forced marriage. In Ghana, survey results suggest that there are an estimated 103,300 people enslaved in that country, of which 85 percent are in forced labour, and 15 percent are in forced marriage. For forced labour, the main industries of concern are farming and fishing, retail sales and then manual labour and factory work. In Nigeria, survey results suggest that forced labour is predominantly within the domestic sector, although it was impossible to survey in three regions due to high conflict. In South Africa, the industries most reported in the survey include the commercial sex industry, manual labour industries such as construction, manufacturing and factory work, and drug trafficking. Charlotte travelled from Croydon to Nigeria in 2014 to work as a tutor. However, once she arrived in Lagos her passport was confiscated, and she was prevented from leaving the house. Charlotte was able to return home after her parents rang her employers day and night, pressuring them to let her come home. When she arrived home, Charlotte became a member of the Croydon Community Against Trafficking in order to educate people on the nature of human trafficking.
Despite having the lowest regional prevalence of modern slavery in the world, Europe remains a destination, and to a lesser extent, a source region for the exploitation of men, women and children in forced labour and commercial sexual exploitation. Trafficking for sexual exploitation is the most widespread for of modern slavery with an 84% of victims trafficked for this purpose. The majority of those trafficked for this purpose are women and young girls who often originate from Eastern Europe within the EU as well as Sub-Saharan Africa, with the majority of people being trafficked from Nigeria to various parts of Europe including Italy, France, Spain and the UK through an array of complex trafficking networks. Diane was in her teens when she was forced in to prostitution, first in London and then being trafficked through a prostitution ring to another country. Subjected to physical abuse daily Diane tried to escape and fly back home to the UK, however upon arrival she was met by a trafficker. Diane tells of the physical and mental effects of trafficking, the healing she has gone through and the importance of organisations who support and educate on human trafficking.
Despite having the lowest regional prevalence of modern slavery in the world, Europe remains a destination, and to a lesser extent, a source region for the exploitation of men, women and children in forced labour and commercial sexual exploitation. Trafficking for sexual exploitation is the most widespread for of modern slavery with an 84% of victims trafficked for this purpose. The majority of those trafficked for this purpose are women and young girls who often originate from Eastern Europe within the EU as well as Sub-Saharan Africa, with the majority of people being trafficked from Nigeria to various parts of Europe including Italy, France, Spain and the UK through an array of complex trafficking networks. Sophie Hayes was deceived by a man who said he loved her. She was forced to work on the streets of Italy, was beaten up, force-fed and turned into a ‘product’. Sophie is a survivor determined to turn her horrendous experiences into positive ones and doing everything in her power to make a difference and empower survivors of trafficking to build hope-filled futures.
The American Museum in Britain is housed in a manor house, built in 1820 by English architect Sir Jeffry Wyatville. It is the only museum of Americana outside the USA and was founded to 'bring American history and cultures to the people of Britain and Europe'. It uses a rich collection of folk and decorative arts to interpret these traditions from America's early settlers to the twentieth century. Living history events bring these stories to life, in addition to changing temporary exhibitions which keep the narrative up to date. The museum opened to the public in 1961 as the brainchild of two antiques dealers.
The museum's collections are a rich source of furniture, portraiture and textiles from America, displayed thematically within period rooms acting as gallery spaces. The 'American Heritage' exhibition, charting the history of America through the narration of key events and people dominates a large proportion of this space. Key collections highlights in this exhibition include Martin Luther King's 'I Have a Dream' speech and a range of treasures from New Mexico.
Also contained within the 'American Heritage' exhibition is a small display about slavery and abolition in America. The main focal point of this display is a quilt made by enslaved people on a plantation in Texas. Other themes addressed here include the Underground Railroad, prominent abolitionists and the importance of the Civil War in the eventual abolition of slavery.
The International Slavery Museum (ISM) is the first museum in the world to focus specifically on slavery, both historical and modern. Managed by National Musuems Liverpool, it opened to great acclaim in 2007 and has since welcomed over 3.5million visitors. Through its displays and wide-ranging events programme, the ISM aims to tackle ignorance and misunderstanding in today’s society by exploring the lasting impact of the transatlantic slave trade around the world. On entering the ISM, visitors immediately arrive in a space designed to provoke thoughts and discussion- the walls are etched with powerful quotations from historical figures and contemporary activists, many from the African diaspora. There is a display of West African culture, designed to showcase the breadth and depth of African civilisation before the devastation caused by the transatlantic slave trade, which includes examples of textiles, musical instruments and other ethnographic material. The display then goes on to look at the trade itself; the logistics, the processes and who benefitted on one hand, whilst also exploring the experience of the enslaved through multisensory interpretive techniques, including an emotive film of what the Middle Passage may have been like. All of these displays are supported by the rich, local archival collections, drawing on Liverpool’s own history as a prosperous, slave-trading port. Moving forward along a chronological timeline, the exhibition then covers abolition, significantly beginning with the acts of resistance from the enslaved themselves, through to organised abolition movements and then discussing the continued fight for freedom through the post-emancipation then civil rights era, right into the twenty-first century. The lasting legacies of the trade are thoroughly examined, from racism and the under-development of African countries, to the spread of African culture and diverse nature of Liverpool’s communities. A unique feature of the ISM is its ‘Campaign Zone’, opened in 2010, which houses temporary exhibitions just off the main gallery space. These are frequently run in conjunction with campaign organisations and usually focus on aspects of modern slavery, highlighting to visitors that it is very much still a live issue and not one that has been relegated to history. Recent exhibitions in this space have included 'Broken Lives' organised with the Daalit Freedom Network and 'Afro Supa Hero' with artist Jon Daniels.