With this exhibition, the RMCA aims to contribute to the highly topical debate concerning the colonial history of Congo and Belgium.
Visitors learn more about this controversial period through little-known objects, works of art, documents, films, and photographs. Filmed interviews with Belgians and Congolese give a voice to the past in a lively confrontation with memories and emotions. Memory of Congo, through specific themes and diverse narratives, revisits this turbulent chapter in history
In this exhibition the artists Sammy Baloji and Patrick Mudekereza present us with a contemporary take on the colonial past. As artists in residence in the museum they got carte blanche in the museum collections. In dialogue with scientists from the museum they have started working with a few collection pieces dating from the beginning of Congo’s colonial history. These collection pieces exhale the atmosphere of the conquest of Congolese territory by the West. The leitmotif of the exhibition ‘Congo Far West’ refers not only to this territorial conquest, but also to the contemporary Congolese artists who artistically and intellectually recapture the collection pieces conserved in the West.
Patrick Mudekereza is a writer and poet but he also writes texts for comic strips, exhibitions and audiovisual art. During his time in the museum he is working on a hybrid sculpture entitled L’art au Congo which raises a whole host of questions, and treaties signed with a cross which sealed the transfer of land from the local chefs to Leopold II. Photographer Sammy Baloji is working on a series of photographs and watercolours from a colonial exhibition led by Charles Lemaire. He has already exhibited in cities such as Paris, Bamako, Brussels, Cape Town and Bilbao. A Beautiful Time, his first solo exhibition in the United States, taking place in the Museum for African Art in New York, will be on show in in the Smithsonian National Museum of Natural History in Washington in 2012. Sammy Baloji and Patrick Mudekereza both live and work in Lubumbashi in DR Congo. Together they are organising the photography biennale Rencontres Picha in Lubumbashi, the third edition of which will take place in 2012.
Kongo across the Waters examines 500 years of cultural exchange between the Kongo, Europe, and the United States, showing the rise of Kongo as a major Atlantic presence and the transmission of Kongo culture through the transatlantic slave trade into American art.
Drawing from the incomparable collections of the Royal Museum for Central Africa in Tervuren, Belgium, including masterpieces that have never before been seen in the United States, this groundbreaking exhibition investigates how the Kingdom of Kongo in West Central Africa evolved over five centuries and contributed to the cultural life of enslaved Africans and their descendants in North America. Manuscripts, maps, engravings, photographs, and videos provide contextual information, and the accompanying 448-page catalog further explores the art of the Kongo and of the Kongo diaspora.
Kongo across the Waters is a joint project organized by the Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida, and the Royal Museum for Central Africa, Tervuren, Belgium, and is supported by an indemnity from the Federal Council on the Arts and the Humanities. At Princeton, supplementary interpretive content has been developed by the Princeton University Art Museum. The exhibition at Princeton has been made possible by generous support from the National Endowment for the Arts; the Frances E. and Elias Wolf, Class of 1920, Fund; Susan and John Diekman, Class of 1965; the David A. Gardner ’69 Magic Project; the Department of Art and Archaeology, Princeton University; and an anonymous fund. Additional funds have been provided by the Allen R. Adler, Class of 1967, Exhibitions Fund; Heather and Paul G. Haaga Jr., Class of 1970; Holly and David Ross; Andrew W. Mellon Foundation; the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts; and by the Center for African American Studies, the Program in African Studies, the Office of Religious Life, the Lewis Center for the Arts, and the Department of English, Princeton University. Further support has been provided by the Partners and Friends of the Princeton University Art Museum.