The Diverse Stories project began in 2007 with participants from Malcolm X Elders, an Afro Caribbean elders and community group in Bristol, taking part in a creative writing project to mark the bicentenary. This was jointly supported by Show of Strength Theatre Company, Our Stories Make Waves and English Heritage. Participants visited the ruined Temple Church in Bristol and explored its links with the slave trade and abolition movement. Their responses included a range of dramatic monologues covering themes such as slavery, racism, trade, childhood memories of Jamaica and migration from the Caribbean. These were read at a performance by a professional actor. In 2008 the project was given a permanent record by a selection of the stories being recorded on audio CD.

In conjunction with York Theatre Royal, Riding Lights Theatre Company produced a new play written by Murray Watts, directed by Paul Burbridge, with original music by Nigerian musician Ben Okafor. African Snow: Secrets of the trade was originally commissioned by the Church Mission Society, an organisation founded in 1799 by representatives of the abolition movement, including William Wilberforce. The play sought to explore the ideas associated with antislavery and how they can be put to use in the modern day campaign for the end of slavery. Opening at York, the play went on to have a West End Transfer followed by a national tour. The main characters are John Newton, the converted slave-trader who later wrote 'Amazing Grace', and the former slave and abolitionist Olaudah Equiano. The play saw them confronting each other’s differing perspectives, creating a dialogue in which the audience could witness alternative views towards slavery. A 'snow' was a class of ship, commonly used for the transportation of slaves. 'The African' was the first slave ship on which John Newton sailed.

A performance by the London Shakespeare Workout based on George MacDonald Fraser's novel 'Black Ajax'. The play, set in Regency England, tells the historical tale of two enslaved men through dialogue, song and verse. One slave is from America, another is from Africa. The former, Tom Molineaux, becomes the first Black Prize Fighter in Britain. Black Atlas featured an original score by Tim Williams. The play opened in Cambridge and toured to 40 different venues around the UK.

The In Stitches project was led by the African Families Foundation (TAFF) and brought together British, African and African-Caribbean women's quilting groups meeting in London, Liverpool, Bristol, Manchester and Birmingham. The In Stitches Quilt, designed by Janice Gunner, included 60 squares of embroidered images, texts and symbols, depicting historic figures, scenes and artefacts associated with the transatlantic slave trade and its abolition. The Quilt used several of the Adinkra symbols from Africa, originally printed on fabrics worn at funerals by the Akan peoples of Ghana. The accompanying work pack was designed to support learning about slavery based on the four themes of the Quilt: Capture, the Middle Passage, Life in the 'New World', and Proscription of Slavery. The Quilt was unveiled at City Hall in London, and then toured to the British Empire and Commonwealth Museum (Bristol), Central Library (Liverpool), Soho House (Birmingham), the International Quilt Festival (Birmingham) and Central Library (Manchester).

La Bouche du Roi was created by artist Romauld Hazoumé, who lives and work in the Republic of Benin, West Africa. The multi-media artwork is named after a place on the coast of Benin from where enslaved Africans were transported. It comprised 304 plastic petrol can 'masks', each representing a person, arranged in the shape of the woodcut of the Liverpool slave ship Brookes. The aroma of tobacco and spices are represented alongside the terrible smells of a slave ship. The artwork was accompanied by a film showing the motorcyclists who transport petrol illegally between Nigeria and the Republic of Benin. The cans and motorcyclists are metaphors for modern forms of enslavement and resistance. First exhibited at the British Museum in London, La Bouche du Roi toured to the following venues during 2007-9: Ferens Art Gallery in Hull, International Slavery Museum in Liverpool, Bristol's City Museum and Art Gallery, Laing Art Gallery in Newcastle, and the Horniman Museum in London.

Truth 2007 was an educational and information resource-based initiative that was instigated in Bristol by (Operation) Truth 2007 led by Jendayi Serwah. It became a national coalition of UK-based Pan-African organisations which aimed to raise the awareness of the African perspective on local and national government plans to mark the bicentenary. Truth 2007 featured a series of lectures, debates, interactive workshops and informal social-political gatherings organised by community groups. The Truth 2007 coalition expressed dissatisfaction with much of the terminology and focus of the 'official' commemorations.

Two plays, Slave Ship by Amiri Baraka and Land by Edson Burton, were presented in Bristol by Say It Loud, a multicultural arts development organisation. Slave Ship was first performed in the United States in 1967. Land was written especially for the bicentenary project. In conjunction with the project, Say It Loud organised drama workshops on the subject of slavery in Bristol schools.

A group of Bristol Film and Video Society members wrote Clarkson, a 40 minute drama based on the life of the abolitionist Thomas Clarkson. The character study is set in Bristol in 1787, around the time that Clarkson was visiting English ports gathering evidence about the brutalities of the slave trade.

Our History, Our Heritage was a black-led Bristol group promoting historical awareness of the contributions of African, African-Caribbean and British peoples in past and present struggles, and in Bristol in particular. Their series of talks and educational initiatives sought to encourage 'creative education in Citizenship and British, Afrikan, Afrikan Caribbean History', taking inspiration from 'those who have gone before'.

Black Heroes in the Hall of Fame is an acclaimed stage musical which highlights the contributions and achievements made by black men and women in the world of sports, science and entertainment. First launched as a community project in 1987 at the Shaw Theatre in Camden, the production was created by Flip Fraser in collaboration with JD Douglas and Khareem Jamal. The show was the first all-black cast production to play in the West End. It returned in 2007 with a new line-up of characters, songs and dances, and recreated significant moments in black history including Kings and Queens of Africa, Freedom Fighters, Great Entertainers as well as Malcolm X, Martin Luther King, Marcus Garvey and Nelson Mandela. The musical toured London, Croydon, Nottingham, Oxford and Bristol in 2007.