Egypt is a source, transit and destination country for women and children trafficked for the purposes of forced labour and sexual exploitation. The local dimension of human trafficking includes child labour, the sexual exploitation of children, the sale of human organs, and various forms of prostitution. Children are forced into domestic service, street begging drug trafficking, quarrying, and agricultural work in the country. NGOs report the lack of economic and educational opportunities cause family members to subject women and girls to sex trafficking to supplement family income, and in some cases women and girls are raped to coerce or forced them into prostitution.  Child sex tourism occurs in Cairo, Alexandira, and Luxor and Egyptian women and girls are purchased for 'temporary' or 'summer marriages' for the purpose of commercial sex, including sex trafficking, and forced labour. Egyptian adults are subjected to forced labour in construction, agriculture, domestic work, and low-paying service jobs in the region. Refugees from Syria, Sudan, South Sudan, and Yemen who have settled in Egypt in Egypt are also at an increased risk of trafficking, forced labour, forced marriage, and sexual exploitation. When the civil war in Yemen erupted in 2015, Yehia’s parents advised him to flee to Egypt to avoid conscription by one of the warring factions. Having arrived in Cairo via Sudan, Yehia contacted a smuggler who promised to take him across the sea to Italy. He was taken to a beach near Alexandria with other travellers and boarded a small boat, but the smugglers turned out to be gangsters who robbed the passengers and were going to put them ashore when the Coast Guard arrived and rescued them. Yehia was sent back to Sudan and tried a second time to get to Italy, but this time he was kidnapped and detained on a farm in the Egyptian desert.

There are an estimated 31,000 people living in condition of modern slavery in Israel (GSI 2018). Women from Eastern Europe, China and Ghana, as well as Eritream men and women are subjected to sex trafficking in Israel. People are often lured through the promise of seemingly legitimate jobs, only to be subjected to commercial sexual exploitation upon arrival.  YB was promised a job as a dancer in Israel. Here she tells of her experience of being trafficked across the Egyptian/Israeli boarder.

In contrast to the trope that brands individuals’ experiences onto their backs, the No Project released a poster in 2012 titled “Wearing Her Story,” made by the artist Ismini Black. A woman’s dress hangs alongside carcasses in a butcher’s window. There are letters cut out of the dress and the words are impossible to piece together. By replacing a woman’s body with just her dress, the poster refuses to inscribe slavery’s story onto her flesh. She might wear her story like a removable item of clothing, but it is not the last word on her total identity. Instead it remains impossible to grasp and therefore consume, unlike the poster’s chunks of meat.

To mark the bicentenary, Manifesta (a not for profit company delivering projects addressing cultural diversity) and the Runnymede Trust (an independent policy research organisation focusing on equality and justice) joined forces to launch a youth and digital media initiative, Video ART (Anti-Racist Trails) Postcards. The project explored connections between slavery, colonialism and contemporary issues of racism and related injustice. In the summer of 2007, two groups of teenagers aged 14-19 from the London Borough of Newham participated in workshops to uncover sites related to historical racism and anti-racism in the West India Docks area of London, assisted by video artists and historians. Using video for self-expression, each participant interpreted this history and heritage by producing a short personal video or 'postcard' - there were 33 videos in total. The videos were made available on an online resource, and a Teacher's Guide was created to be used alongside the website.

There is an estimated 48,000 people living in modern slavery in Libya (GSI 2018). Libya is a major transit destination for migrants and refugees hoping to reach Europe by sea. Human trafficking networks have prospered amid lawlessness, created by the warring militias that have been fighting for control of territories since the toppling of Muammar Gaddafi in 2011. Highly organized trafficking and migrants smuggling networks that reach into Libya from Niger, Nigeria, Chad, Eritrea, Ethiopia, Somalia, Sudan, and other sub-Saharan states subject migrants to forced labor and forced prostitution through fraudulent recruitment, confiscation of identity and travel documents, withholding or non-payment of wages, debt bondage, and verbal, physical, and sexual abuse. In some cases, migrants reportedly pay smuggling fees to reach Tripoli, but once they cross the Libyan border they are sometimes abandoned in southern cities or the desert where they are susceptible to severe forms of abuse and human trafficking.  At her school in Nigeria, Vera and her brother were being threatened by gangsters. The situation became dangerous, and her mother was very worried about her security. Vera felt she had no other option than to flee from the country. She contacted a smuggler who would take her to Europe via Libya. She was surprised when the woman frankly suggested that she could earn money both in Libya and in Europe as a prostitute. Vera said she would not do such a thing, and the woman did not press the issue. When they arrived in Libya, she called her and told her that now, she must work as a prostitute to pay her debt. 

There is an estimated 48,000 people living in modern slavery in Libya (GSI 2018). Libya is a major transit destination for migrants and refugees hoping to reach Europe by sea. Human trafficking networks have prospered amid lawlessness, created by the warring militias that have been fighting for control of territories since the toppling of Muammar Gaddafi in 2011. Highly organized trafficking and migrants smuggling networks that reach into Libya from Niger, Nigeria, Chad, Eritrea, Ethiopia, Somalia, Sudan, and other sub-Saharan states subject migrants to forced labor and forced prostitution through fraudulent recruitment, confiscation of identity and travel documents, withholding or non-payment of wages, debt bondage, and verbal, physical, and sexual abuse. In some cases, migrants reportedly pay smuggling fees to reach Tripoli, but once they cross the Libyan border they are sometimes abandoned in southern cities or the desert where they are susceptible to severe forms of abuse and human trafficking.  In Nigeria, Vanessa struggled to house and feed herself and her three children after being thrown out of their home by her abusive husband. She worked as a hawker, selling fruit, and as a hairdresser, but worried constantly about money. Then a friend mentioned a sister in Italy with a hairdressing salon and recommended Vanessa to work there. She was told it would be an easy journey through Libya, however after arriving in Tripoli, Vanessa and her fellow travellers were housed in a smuggler’s compound when a fight broke out among neighbourhood gangs. During this time, her baby developed a fever and became critically ill, dying shortly afterward. She set off from Tripoli on a smuggler’s boat headed for Italy, but the boat was captured by bandits who took them back to Libya and held the passengers for ransom.  Vanessa’s friend's sister in Italy paid for her release, but she was unable to make it to Italy. When she tried for a second time, she was caught by the Libyan Coast Guard, brought back, and imprisoned. A Ghanaian man bailed her out of prison only to sell her to a brothel where she had to work as a prostitute to pay off her debt. 

Trading Faces: Recollecting Slavery was a consortium project developed by Future Histories (a non-profit organisation set up to maintain archives of African, Caribbean and Asian performing arts in the UK), Talawa Theatre Company (a leading Black-led touring theatre company) and V&A Theatre Collections. Trading Faces made use of archive documents, video and audio material to explore the legacy of the transatlantic slave trade in British performing arts and society. By promoting the use of primary resources, the online exhibition aimed to stimulate creativity, critical thinking, individual responsibility and participation. Highlights of the exhibition included a performance timeline featuring recently archived material from the past 200 years, narratives of slavery from both the past and present and a series of virtual rooms, which explored ritual, religion, carnival and masquerade amongst other aesthetic themes. On the Open Doors section of the site, users contributed material and ideas to promote a critical debate on the subject. As part of the project, the 'Retrace: Identity and Heritage' educational resource pack from Talawa Theatre Company is about the exchange of culture between the UK and other countries linked by the transatlantic slave trade and colonialism, and the impact of these relationships on the performing arts.

'The Truth Behind Closed Doors' provides a lesson plan and resources for teaching about domestic servtiude - the exploitation and mistreatment of domestic workers, usually in private homes. Exploitation of domestic workers can happen to migrants domestic workers who have left their fmailies to earn money abroad, but also to workers in private homes in their own country of origin.The lesson plan provides two 55-minute lessons, depending on the level of your students. It is aimed at Older teens, young adults and adults, B2+ (upper intermediate to advances)Materials include: Rose’s personal narrative, student worksheet, autonomous learning resources, information about human trafficking and modern slavery, transcripts of audio recordings, slides, Teacher’s Guide Audio for this lesson plan can be found at https://youtu.be/i28Bev-_sFs

As made clear by The Long Road to Freedom exhibition in 2007, the Record Office for Leicestershire, Leicester & Rutland contains a significant collection of documents which reveal local connections with the slave trade, and with those who campaigned for abolition. Several prominent local families owned slaves on plantations in the Caribbean and on the north coast of South America. Leading Leicester abolitionists, Elizabeth Heyrick and Susanna Watts, orchestrated a vigorous anti-slavery campaign in Leicester, including a boycott on sugar. Local landowner, Thomas Babington of Rothley Temple, was a friend of William Wilberforce and hosted meetings of anti-slavery campaigners at his home. The exhibition also highlighted a unique collection of mid-19th century papers which provide access to the voices of the enslaved in a slave court in Lagos, West Africa. It also told the stories of two former slaves, Rasselas Morjan and Edward Juba, who came to Leicestershire with their owners. This exhibition toured to various venues in the region, including Abbey Pumping Station, where it coincided with family activities focused on the work of Elizabeth Heyrick.

The lesson is based around a true story about Nicu, a 9-year-old boy who has been trafficked to the UK. The central focus is a beautiful short film, based on the true narrative, in which Nicu reads an imaginary letter to his mother. Sadly, his descriptions of wealth are far removed from the reality of the violence and exploitation he is subjected to. This is not the ‘better life’ that his parents were promised he would have. He is unhappy, alone, and trapped. The lesson finishes with an engaging music video that focuses on the exploitation of a trafficked child forced to work in a factory.Audio for this lesson plan can be found at https://youtu.be/09QE3RsAge8

Though Europe has the lowest regional prevalence of modern slavery in the world, it is estimated that 17,500 people are enslaved in the Netherlands. Enslaved people within Europe originate predominantly from Eastern European countries, with forced labour and commercial sexual exploitation remaining the most commonly reported forms of slavery. Cases of forced labour have been reported across Europe in agriculture, forestry, fishery, construction, catering, the textile industry and domestic work.  Within cases formally identified by EU authorities the largest proportion of registered human trafficking victims were female, making up around 80% of all victims. Tatiana travelled to the Netherlands with her boyfriend to find work. Upon arrival they were met by who she though was her boyfriend’s friend and taken to a flat where they were going to stay. However, when she got to the flat she was told he had been sold to work as a prostitute. Threatening her family if she refused, Tatiana was forced to work as a prostitute in Amsterdam for 6 months. 

There is an estimated 48,000 people living in modern slavery in Libya (GSI 2018). Libya is a major transit destination for migrants and refugees hoping to reach Europe by sea. Human trafficking networks have prospered amid lawlessness, created by the warring militias that have been fighting for control of territories since the toppling of Muammar Gaddafi in 2011. Highly organized trafficking and migrants smuggling networks that reach into Libya from Niger, Nigeria, Chad, Eritrea, Ethiopia, Somalia, Sudan, and other sub-Saharan states subject migrants to forced labor and forced prostitution through fraudulent recruitment, confiscation of identity and travel documents, withholding or non-payment of wages, debt bondage, and verbal, physical, and sexual abuse. In some cases, migrants reportedly pay smuggling fees to reach Tripoli, but once they cross the Libyan border they are sometimes abandoned in southern cities or the desert where they are susceptible to severe forms of abuse and human trafficking.  Suleiman travelled from Sudan to Egypt and from there was smuggled into Libya with his brother. Upon arrival they were held in a warehouse for three days before being released and going to Tobruk. Thinking they were being taken to Tripoli, they were shut inside a van with no view to the outside and arrived instead on a farm. A ransom of 15,000 Libyan dinars was demanded from each person for their release. They were stripped of their clothes, beaten, submitted to electrocutions and burnings while being weakened from hunger and thirst. 

Something Doesn't Feel Right provides lessons and resources for teaching on identifying signs of human trafficking at airports and on flights.This lesson looks at real life events where airline employees effectively identified cases of human trafficking. In all cases the airline agents had been specifically trained to identify indicators of human trafficking. The lesson content also addresses the way social media is used by traffickers to recruit victims, specifically youth. There are two 55-minute lessons, depending on the level of your students. it is aimed at older teens, young adults, adults, B2+ (upper intermediate to advanced)Materials include  True narrative at airport, student worksheet, autonomous learning resources, transcripts of authentic videos, slides, information about human trafficking and modern slavery, Teacher’s Guide.

Slavery here! was a project hosted by museums across the Tees Valley led by Preston Hall Museum. It featured an interactive exhibition to explore the story of the Tees Valley’s connections with slavery. For example, the town of Stockton-on-Tees had its own Sugar House, a refinery that processed sugar from the Caribbean. The exhibition also looked at the work of local abolitionist campaigners Dr Robert Jackson and Elizabeth Pease, and the impact of contemporary slavery on today's society. Alongside the exhibition at Preston Hall Museum, other special events included workshops on African drumming and culture, object handling, and introductions to Fair Trade products. The project also produced a commemorative quilt (in collaboration with Newtown Community) and a film, ‘Manacles and Money’.

Hull Truck Theatre supported Wilberforce 2007 with two specially commissioned productions, Slavers and Sold, and a playwright festival. For one week in August 2007, Hull Truck Youth Theatre presented Slavers, set in 2007, which told the story of abolition through the eyes of young people in Hull. Written by Rupert Creed and directed by Karen Dainty, the play followed a group of school leavers and their potentially prosperous business-start up, trading in human cargo. When some started questioning the morality behind the business, the audience was transported back to the debates of Wilberforce and his allies two hundred years previously. Another play, ‘Sold’, in conjunction with Liverpool Hope University, sought to raise awareness about the victims of human trafficking and sexual exploitation today.

This photographic exhibition focused on human trafficking was produced by a partnership of Panos Pictures, Anti-Slavery International, Amnesty International, Eaves and UNICEF. Photographer Karen Robinson’s portraits and tales of women trafficked into prostitution explore the devastating impact on their lives. Also on display were David Rose's panoramic photographs of the ordinary British streets where the stories of modern-day slavery have been played out. The photographs were mounted on a cage-like structure which was specially designed for the exhibition at St Paul's Cathedral. The exhibition was also shown in Edinburgh, Hull and Warsaw, and in 2008, in York.

Set All Free: ACT TO END SLAVERY was a project of Churches Together in England, based in London. It was also a collaboration between church-related groups, societies and organisations around the UK working together with a Christian ethos to assess the relevance of the bicentenary, and in particular the legacies of slavery. The project aimed to highlight how the values of the abolitionists can transform relationships on an individual, community and society level. The project included building a network coalition, campaigning, producing research and resources for churches, schools and individuals. Set All Free also worked closely with Anti-Slavery International and Rendezvous of Victory, a leading African community-led organisation.

Action of Churches Together in Scotland (ACTS), which brings together nine Scottish denominations, marked the bicentenary with the Scottish Ecumenical Service to commemorate abolition held in the David Livingstone Centre in Blantyre in June 2007. The group also published a leaflet, ‘Slavery and Scotland’. On 25 March 2007, a commemoration walk was organised in partnership with the National Trust for Scotland. The walk started in Musselburgh and ended at the Gardens of Inveresk Lodge, once owned by James Wedderburn, who made his fortune as a slave owner in Jamaica. His son, the Jamaican-born Unitarian radical and anti-slavery advocate Robert Wedderburn, came to Musselburgh in 1795 to visit his father, but did not receive a good welcome.

ACTS also set up Freedom for All, a website project to mark the bicentenary. The website was intended to be a hub of resources and information on the impact of slavery, slave trade and abolition on Scotland.

There are an estimated 145,000 people liing in conditions of modern slavery in Italy (GSI 2018). Italy is a destination, transit, and source country for women, children, and men subjected to sex trafficking and forced labour. Victims originate from Nigeria, Romania, Morocco, China, and other countries. Female victims are often subjected to sex trafficking in Italy after accepting promises of employment as dancers, singers, models, restaurant servers, or caregivers. Romanian and Albanian criminal groups force Eastern European women and girls into commercial sex.   Rita was homeless when she was approached by a woman who asked her if she would like to travel and promised to take her to Europe where she could work in her supermarket. Before she left, the woman told Rita the travel costs and made her undergo a voodoo ceremony and swear an oath that she would pay back the money for the journey. As the woman accompanied Rita on the journey from Nigeria through Libya, her attitude began to change. Rita was beaten, abused, and raped by men along the way but the woman did not intervene or protect her. The journey was traumatising, and she saw many people die on the way. Once she arrived in Florence, instead of the supermarket work she was promised, Rita was forced to work as a prostitute in a brothel to pay back the money she owed. After three months of being locked up in the brothel, she escaped and is now in Germany, but she is still being threatened by the Madam in Italy. 

Remembering Slavery 2007 involved museums, galleries and other cultural organisations across the North East of England in a programme of exhibitions, events, performances, lectures and activities to explore the themes of slavery and abolition, and identify connections with the region.

The Remembering Slavery exhibition focused on objects, paintings, documents and other historical material relating to the transatlantic slave trade and its legacy. The exhibition and associated programme of activities opened at the Discovery Museum in Newcastle and then toured to South Shields Museum and Art Gallery; Sunderland Museum and Winter Gardens; and the Laing Art Gallery. Whilst at the Discovery Museum, the historical exhibition was accompanied by a photographic exhibition, ‘Human Traffic’, produced by Anti-Slavery International, documenting the trafficking of children in Benin and Gabon in West Africa. Whilst at the Laing Art Gallery, the exhibition was shown alongside ‘La Bouche du Roi’ by Romauld Hazoumé, a contemporary installation based on the ‘Brookes’ slave ship.