Remembering Slavery 2007 was a regional initiative involving museums, galleries and other cultural organisations across the North East of England in a programme of exhibitions, events, performances, lectures and activities to explore the themes of slavery and abolition, in both historical and modern contexts. The project sought to connect the North East with the slave trade, the plantation economies of the Americas, and the social and political movements for abolition.
Featured here are the 'What's On' guides detailing various initiatives across the region in 2007, plus a selection of postcards from the project.
The world's oldest human rights organisation, Anti-Slavery International, led several initiatives in response to the bicentenary. The Fight for Freedom 1807-2007 Campaign, launched in 2005, called for measures to address the continuing legacies of the slave trade. The publication '1807-2007: Over 200 years of campaigning against slavery' looked back at the work of Anti-Slavery International and its predecessor organisations. The Spotlight on Slavery series of exhibitions and events included debates, lectures, film screenings and photography exhibitions. Anti-Slavery International also collaborated with a number of other organisations and projects in 2007, including Rendezvous of Victory and Set All Free, and contributed exhibition material to various exhibitions around the UK, including the Remembering Slavery exhibition at the Discovery Museum in Newcastle.
The 'Slavery Connection' project researched Bexley’s links with the transatlantic slave trade through the London borough's residents and buildings. The exhibition, which included objects from Bexley Museum, aimed to raise the level of understanding in local communities about the history of the slave trade, by highlighting numerous local connections - such as Danson House, once home to the sugar merchant and slave trader Sir John Boyd, while archives of the East Wickham estate reveal evidence of a West African coachman called Scipio. Over a two year period, the travelling exhibition was displayed at 14 sites, including local African Caribbean groups, youth centres, libraries and churches. The launch event at the Bexley African Caribbean Community Association was accompanied by displays of African dancing, drumming and drama. An educational handling box and teachers’ pack were created for use in local schools.
By the mid-18th century, Glasgow dominated Britain's tobacco and sugar imports, and the city was also involved in the slave trade. In 2007 Glasgow Built Preservation Trust (GBPT), in partnership with Glasgow Anti Racist Alliance, developed an exhibition linking Glasgow’s built heritage with the slave trade. In September 2007, Glasgow’s Doors Open Day event marked the bicentenary with walks (both guided and by podcast), a pop-up exhibition, and an evening of drama, talks and music. The event was later transformed into a week long ‘built heritage festival’, from which a travelling exhibition and city trail were created by the historian Stephen Mullen.
Inspired by archival research, ‘Sharp Practice’ was a touring play exploring the slave trade and the role of abolitionists from the North East of England in its demise (and, in particular, the work of Granville Sharp). The play was devised and produced by Jackass Youth Theatre, in collaboration with professional artists from Jack Drum Arts. Each performance was accompanied by an exhibition exploring the North East’s links to slavery and abolition, researched by members of the theatre group. Working with heritage professionals, their research took the performers to Newcastle, Hull, Liverpool, Gloucester, London and the University of Virginia.
This collaborative community initiative celebrated African and Caribbean culture in Leeds, with a focus on commemorating the Abolition Act by 'highlighting African achievement, liberation and aspirations'. New exhibitions, publications and resources were produced and over 100 bicentenary events organised under different themes: Education and Museums; Arts and Carnival Culture; Churches and Abolition; Legacy; Black History and Community Development; Media and Communications. Highlights included the photographic exhibition and pamphlet 'From Abolition to Commonwealth', which remembered indentured labour in Africa and the Caribbean after 1807, and the 40th anniversary of Leeds West Indian Carnival, with themes that highlighted heritage, liberation, respect and freedom. Project outputs included an education pack, black history classes, concerts, church services, lectures and performances.
Human Cargo was a partnership project between Plymouth City Museum and Art Gallery, and the Royal Albert Memorial Museum, Exeter. The project consisted of two main components. The first was a historical exhibition, which explored the development of the transatlantic slave trade and, in particular, the role of Plymouth as a port, the involvement of the City's dignitaries and the South West's links with the abolition movement. The second part was a contemporary art response to modern forms of slavery and historical legacies, including the flower picking trade, sweatshop labour and the Fair Trade Movement. This work was newly commissioned and included audio visual pieces, installations, hand-printed wallpaper and participatory objects. A variety of events and activities took place alongside the exhibition including education workshops, performances, African music and storytelling activities, and Elizabethan House re-enactment sessions.
In the Recovered Histories online resource, Anti-Slavery International digitised and made accessible for the first time a collection of over 800 pamphlets dating from the 18th and 19th centuries relating to the transatlantic slave trade. The resource captured the narratives of the enslaved, the enslavers, slave ship surgeons, abolitionists, parliamentarians, clergy, planters and rebels. An accompanying touring historical exhibition and an education pack featured testimonies and pictures from Africans subjected to slavery, those participating in the enslavement and those who fought against it. An outreach and resources programme included a series of free regional seminars in April and May 2008, which encouraged dialogue about the transatlantic slave trade and its legacies by bringing together a wide range of groups and organisations who worked on these issues. The workshops were held in Bristol, Edinburgh, Leeds, London and Manchester. A series of short stories were published, inspired by the Recovered Histories resource.
The Society of Friends expressed its formal opposition to the slave trade in 1727, and from that date were vocal opponents of transatlantic slavery. A virtual exhibition of archived resources, ‘Quakers and the path to abolition in Britain and the colonies’, was launched online to commemorate the bicentenary. It traced the history of the anti-slavery movement from its Quaker beginnings and highlighted key events in the Quaker history of opposition to the slave trade, and was primarily based on material from the Library at Friends House. The exhibition also explained the important role played by Quaker women abolitionists through writing and poetry. The Quakers pioneered contemporary tactics such as boycotting, petitions, leafleting and poster campaigns.
Other resources to help people find out more about the bicentenary included ‘Abolition Journeys’, developed by Quaker Life Committee for Racial Equality with the Quaker Life Children and Young People’s Staff Team, designed to help people of all ages remember the slave trade and work to abolish its modern variations.
The Revealing Histories: Remembering Slavery project sought to uncover the North West's involvement in the slave trade (and the consequent social and economic effects of this involvement) and the region's contribution to the abolition of the transatlantic slave trade and colonial slavery. Eight museums and galleries across Greater Manchester collaborated to commemorate the lasting legacies of the transatlantic slave trade. The participating venues were: Bolton Museum and Archive Service; Gallery Oldham; Manchester Art Gallery; The Manchester Museum; Museum of Science and Industry; People's History Museum; Touchstones Rochdale; and Whitworth Art Gallery. A collaborative website and a programme of exhibitions, trails, performances, films and events took a new look at the collections of these museums and galleries and the buildings in which they are housed, revealing hidden histories of the region's involvement in the slave trade. The project also examined slavery's contemporary legacy and relevance.
The phrase 'Ziba-Ufa' is Kiswahili for 'Closing the Gap'. Led by ACCR - the African Community Council for the Regions - this project aimed to close the gap between past and present by undertaking research from an African perspective. Blind Memory was a multimedia exhibition of images of Africa, slavery and resistance held at the Drum Arts Centre in Birmingham. The exhibition looked at memories relating to the transatlantic slave trade and how they affect beliefs and feelings; one of the aims of the exhibition was to rectify the amnesia and blind memory which many people are perceived to have in relation to slavery.
SCAWDI are a Birmingham-based community group specialising in working with local volunteers to research the early presence of Black people in the West Midlands. In collaboration with English Heritage, ‘Interwoven Freedom’ enabled a group of local women to visit archives, exhibition and historic sites and explore the role of women in the abolitionist movement. The participants drew on traditions of abolitionist women such as Elizabeth Cadbury creating and distributing workbags filled with anti-slavery manifestos by making their own textile bags from fair trade cotton and African cloth. They wrote their own manifestos which mixed historical facts with fictional stories and poems. The accompanying exhibition of textiles, text panels and an audio documentary toured London and 11 regional venues. The exhibition included photographs documenting the project by photographer Vanley Burke.
Bristol was major trading port for the transatlantic slave trade in the 18th century. The city of Bristol marked the bicentenary of the Abolition Act with more than 100 events across the city - exhibitions, plays, debates, talks, concerts - under the umbrella organisation Abolition 200. In January 2007, city leaders signed a declaration of regret for the city's role in the trade. Over the weekend of 24-25 March, bells rang out across the city and a Service of Remembrance and Reconciliation was held at Bristol Cathedral, organised by a partnership of the Cathedral and the Council of Black Churches. 2007 was themed as the Year of Black Achievement, aiming to bring better provision of black heritage resources to schools in Bristol, with a particular focus on black attainment. Over 30 creative community projects were funded by Abolition 200 - including art installations, educational projects and community theatre - to reflect the themes of education, commemoration and legacy.
Featured here are some of the events from Abolition 200.
The Adisa project gave a group of 20 young people of African and African Caribbean heritage the chance to investigate their roots both in Bristol and Africa. The group researched the history and legacies of Bristol's involvement in the trade in enslaved Africans, and its impact on one African country: Ghana. This was a community partnership project in collaboration with the Bread Youth Project, Full Circle Youth and Family and the Mill Youth Centre. The group opened their own exhibition, 'Afrikan Footsteps' at the City Museum and Art Gallery, after a two-week research trip to Ghana to learn about the country's history and culture. The exhibition included short films made by the participants; a Quotes Wall, taken from young people’s interviews with members of their local community; a wall of their personal heroes; a photographic exhibition of their trip; and 'Ma’afa Journey', a film recording their personal reactions to places visited in Ghana.
Down at the Bamboo Club was organised by Picture This, an artists' film and video commissioning agency in Bristol. The project was an exhibition of artists' video exploring Bristol's cultural histories and ideas of legacy. Contemporary artists worked with community groups to develop films and events that used the device of re-enactment to explore subjects such as community relations, identity, the legacy of slave trading in the city and histories of division and solidarity. One such film was 'Bamboo Memories' by Barby Asante. The Bamboo Club was a legendary Bristol nightclub in the 1960's and 1970's which holds great significance for older generations in the city as a place where first groups of African-Caribbeans socialised with white Bristolians.
The 'Routes to Freedom' season of events took place throughout Autumn 2007 at The Drum, an intercultural arts venue in Birmingham. The programme explored the struggle for social justice and equality in relation to African, Asian and Caribbean communities, and marked two key historical events and their impact: the bicentenary of the Abolition of the Slave Trade Act and the 60th anniversary of the partition of the Indian subcontinent. The programme was made up of theatre productions, touring exhibitions, film screenings, readings, dance performances and special events, including 'Coolies of the Caribbean' and a conference about Olaudah Equiano.
A play by Lonne Elder, 'Splendid Mummer' looks at the life of Ira Aldridge (1807-1867), the goundbreaking 19th century actor. Aldridge overcame racism and prejudice in European theatres to break away from stereotypical comedy roles and become one of the first Black Shakespearean actors. In 2007, the play was presented by CETTIE (a London charity working with schools, libraries, theatres, and community venues), directed by Malcolm Frederick, and starred Shango Baku. It was performed in various venues in London and at The Drum in Birmingham, and was accompanied by a feature exhibition on Aldridge by Positive Steps. 'Splendid Mummer' was produced in collaboration with the Ira Aldridge Bicentenary Project.
Bury Archives and Museum collaborated on an exhibition based on the journals, letters and other papers of John Hutchinson. The Hutchinson family's cotton spinning business had links to slavery in the United States: in 1848, John Hutchinson travelled to America to buy cotton produced by slaves. The exhibition at Bury Art Gallery featured archives, museum objects and paintings that put the papers into a social context. Cotton Threads went on tour to branch libraries, where talks and family workshops explored family histories and the cotton business. Volunteers assisted in conserving, cataloguing and digitising the Hutchinson papers, which were made available online. Primary school pupils took part in workshops held in the exhibition and a resource pack for secondary schools was produced with local teachers (available to download from the Cotton Threads website).
This project was a collaboration between the Dales Countryside Museum in Hawes and North Yorkshire Record Office to research people and places of the Yorkshire Dales connected with Africa, the Caribbean and India. 'Hidden History' collected local stories of slave owners and traders, abolitionists, Africans and Asians who moved to the Dales, and others like the actor Ira Aldridge who passed through. The project included various community activities. Working with actor Joe Williams, pupils from the Wensleydale School explored the life of Olaudah Equiano and performed alongside Joe at the exhibition opening. There were drop-in sessions on exploring family history, carnival costume making, talks and music. The exhibition toured to other locations in Yorkshire, including Boroughbridge Library. The Dales Countryside Museum has continued to collect information relating to individuals who were connected with the Yorkshire Dales and the wider world.
The Engage 2007 Festival of Culture celebrated cultural freedoms in South Gloucestershire. Led by South Gloucestershire Council, and in partnership with local volunteer groups, schools and community groups, the festival took place on 17 November 2007. It featured 40 live performances of drama, dance and music from India, China, Africa, South America and Europe, a world food zone, family workshops, youth and environmental activities and 60 interactive and information stalls. The Impact exhibition was produced as part of Engage 2007, exploring the part that people living in South Gloucestershire played slavery and abolition.