Part of Wilberforce 2007, the Walking with Wilberforce Heritage Trail is a journey through Hull's Old Town, via twelve important landmarks related to William Wilberforce and the theme of freedom. Along the trail is the Humanitarian Wall, at the Wilberforce Institute for the study of Slavery and Emancipation, constructed in 2006 to commemorate worldwide actions for human rights and justice. The ceramic markers, inspired by the Sankofa bird, were designed especially for the trail by three community and art groups from Hull's Africa Forum, from Hull College ceramic students and from local schools working in collaboration with two local ceramic artists. The trail was launched with a celebration of African culture led by students from Hull schools and the local Congolese community.

Liverpool is a port city with a long association with transatlantic slavery. Located on Liverpool's Albert Dock, National Museums Liverpool opened the new International Slavery Museum in 2007, the first stage of a two-part development. The museum aims to promote the understanding of slavery and the transatlantic slave trade and the permanent impact the system has had on Africa, South America, the USA, the Caribbean and Western Europe. It features displays about West African society, the transatlantic slave trade and plantation life, but also addresses issues of freedom, identity, human rights, reparations, racial discrimination and cultural change. The museum also has strong ties with Liverpool’s large Black community. The museum opened on 23 August 2007, designated by UNESCO as Slavery Remembrance Day.

Crystal Clear Creators is a not-for-profit arts organisation based in the East Midlands. Reflecting on the Trans-Atlantic Slave Trade enabled a series of community creative writing workshops in Leicester exploring themes of the slave trade. The workshops involved talks from experts in the field, a tour of relevant places of interest, and research at the Leicester, Leicestershire and Rutland Records Office. Those involved then wrote, produced, recorded and broadcast radio dramas on the subject, and held a day of performances for the public. The project was developed with Leicester's Arts forum LACAF and Mainstream Partnership. A follow-on project in 2009-10, Reflections: The Trans-Atlantic Slave-Trade, was a course for young people about the transatlantic slave trade, which included researching and writing about the subject. The project culminated in a day of performances and an exhibition at New Walk Museum.

A guide to bicentenary activities and events in museums, archives and other venues across the East Midlands - Leicestershire and Rutland, Nottinghamshire, Northamptonshire, Derbyshire and Lincolnshire - was produced by Museums, Libraries and Archives East Midlands and Renaissance East Midlands. These events commemorated local connections to the abolitionist movement and to slavery. For example, Manor House Museum in Kettering produced a loans box containing material on William Knibb, a local abolitionist. Rothwell Arts and Heritage Centre produced an exhibition on the life of Rothwell-born missionary John Smith. Derby City Museums and Gallery worked with an artist and young people to explore Derby's industrial heritage and its links to the slave trade using The Silk Mill, Derby's Museum of Industry and History, as inspiration. Chesterfield Local Studies put together a touring exhibition to explore Derbyshire connections to the slave trade. A community commemorative event organised by Lincolnshire County Council and Lincolnshire African and Caribbean Support Group included a service of remembrance and the release of 200 'Freedom' balloons from Lincoln City Square on 24 March 2007.

A bicentenary brochure detailing some of the arts and non-arts activities held in Derby throughout 2007 to mark the bicentenary involving schools, community groups and other organisations. These included performances from the University of Derby's Student's Union, a debate at Derby City Council House, and a presentation of archive material from BBC Radio Derby's African Caribbean Show. The Freedom Showcase featured nine performers and writers from Leicester, Nottingham and Derby sharing their personal visions of 'Freedom' through a variety of spoken styles, from poetry, to rap and monologues. The costumes on display at Derby's Caribbean Carnival in July 2007 depicted positive images of the enslaved surviving and resisting slavery. Derby West Indian Community Association led a performance of dance and drama to depict slavery and its impact on young people, and a school project around the theme of slavery. Creative Thought was part of a Renaissance East Midlands funded Community Learning initiative. Working with an artist, participants explored the concept of slavery and its links to Derby's industrial heritage using The Silk Mill as inspiration. Tactile objects were created to share understanding about links with slavery.

A collaborative project between Churches Together in Northampton, English Heritage, Northamptonshire Black History Association (NBHA) and The Northampton Schools Excellence Cluster. Freedom From the Past: Long Time Coming was led by Mary Clarke, Director of the Doddridge Centre, where the NBHA office is based. The project commemorated the 1807 Act and the wider histories of black resistance and the fight against the slave trade through music, drama and historical workshops in Northampton.

The 'Passage' event was held in St Giles' Church on 25 March 2007, an evening of drama, songs and speeches reflecting on the legacies of slavery. There was a 150-strong gospel-style community choir drawn from schools in the Northampton area and local community groups. The event was one of a range of project activities in Northampton which brought together schools, community groups, churches and heritage organisations to explore the issues of slavery in the British Empire. Other events included a community event and 'Walk to Freedom' at the Northampton West Indian Community Association (NWICA) to mark 'Emancipation Day', annually held throughout the Caribbean to celebrate the abolition of slavery. English Heritage funded a professional DVD recording which was afterwards made freely available to NBHA members and others.

A play directed by Hilary Westlake, performed at Unity Theatre in Liverpool, in collaboration with Hope Street Ltd, a community arts centre. Using film, text and movement, the performance investigated how the industry of slavery continues to flourish in modern times, not only globally and nationally, but also locally.

Norfolk’s Hidden Heritage was a partnership project between the Norwich and Norfolk Racial Equality Council (NNREC), the Norfolk Record Office (NRO) and the Norfolk Museums and Archaeology Service (NMAS) which researched the links between Norfolk and transatlantic slavery. For example, many slaving voyages left England from King's Lynn, while the Dalling family of Norfolk owned the Donnington Castle plantation in Jamaica. The exhibition, curated by Norfolk Record Office, won an award for the Best Black History Project for the East of England from the Black History Society. The website provided an interactive timeline to trace Norfolk’s Hidden Heritage from 1670 to today. There was also a database to search for important people, places and dates. Workshops were run in a number of schools, and information packs distributed. More widely, the project worked with the University of East Anglia, Norwich City College, the Prison Service and the Youth Offending Team. As part of the project, Norwich Academy Drama Group put together the production 'Diary of a Son of Africa', about an enslaved African who eventually gained his freedom.

Everywhere in Chains was an umbrella project created for the bicentenary commemorations in 2007, by a collaboration between Amgueddfa Cymru - National Museum Wales, the National Library of Wales, University of Wales, Bangor and CyMAL: Museum Archives and Libraries Wales (part of the Welsh Assembly Government). An exhibition explored Welsh involvement in slavery, especially focusing on the transatlantic slave trade and its abolition, the Black presence in Wales, and legacies of slavery. This was shown at the National Waterfront Museum in Swansea from May to November 2007 before touring to Wrexham County Borough Museum. The touring version of the exhibition was funded by the Welsh Assembly Government. The exhibition in Wrexham included discussion of the painting 'A Negro Coachboy', thought to commemorate a black servant of John Meller, owner of the Erddig estate in the 18th century.

Alongside the exhibition, the Everywhere in Chains programme also included lectures, formal learning activities and performances. An educational pack was produced by CyMAL and distributed to every school in Wales in 2009-2010. A community project created a forum in which participants from many cultural backgrounds could voice their ideas about enslavement. The Everywhere in Chains Community Heritage Toolkit captured the learning from this project. The toolkit, launched in 2009, was produced to help individuals, groups and organisations to work with culture and heritage providers to undertake projects focused on the role of Wales in the transatlantic slave trade and issues of modern slavery.

Leicester Libraries collected oral histories from African Caribbean people brought down through the generations from the transatlantic slave trade. Health and healing were essential to slave life, and enslaved Africans developed their own healing knowledge. The Calabash project recorded this secret knowledge by collecting oral histories passed down to descendants of enslaved Africans at workshops and educational sessions.

The Bittersweet programme by the Gateway Gardens Trust involved 80 free guided garden visits over two years, around more than 30 gardens in Wales with a range of community groups, schoolchildren and lifelong learners. The themes of the visits and a mobile exhibition were the links between the slave trade and historic gardens, their makers, what they planted, Welsh abolitionists and the wider links with local communities in Wales. Historic gardens provided the starting point, looking at how everyday vegetables and fruits - beans, potatoes, tomatoes etc. - first reached the UK from the Americas. The project also looked at the history of afternoon tea, and the links between sugar, cotton and tea and slavery. The groups reflected on how many industries, grand houses and gardens were built from wealth linked to slavery, such as Cyfarthfa Ironworks in Merthyr and the expansion of the slate industry at Penrhyn Quarry. Early 18th century-style newspapers were produced, aimed at schoolchildren and adults.

Gardens involved included Cardiff’s Bute Park, Swansea’s Singleton Park, the National Botanic Garden in Carmarthen, Gwydir Castle in Llanrwst, Dyffryn Gardens, Portmeirion, Penrhyn Castle, Picton Castle, Dinefwr Park and Castle and Aberglasney Gardens.

A community project organised by SOS Immigration, a support organisation for asylum seekers and refugees based in Derby. In December 2007, Derbyshire Record Office held workshops for volunteers, designed to introduce archival and analysis skills when studying historical documents relating to slavery. The project’s aims were to co-ordinate research into links between Derbyshire and slavery, and to communicate the results to the public.

An exhibition to mark the bicentenary was developed by Enfield Museum Service in partnership with the British Museum and Enfield Racial Equality Council. The exhibition looked at West African culture, the development of the local African community, the links between the transatlantic slave trade and Enfield, wealthy landowners and Quaker abolitionists who lived in the area. Free family days held during school vacations offered traditional Ghanaian story-telling, dancing and drumming, crafts and object handling. Living History Days gave visitors the opportunity to meet actors portraying William Wilberforce and Olaudah Equiano. School workshops included a drama session and performance about a runaway slave developed from material from Lambeth Archive. The museum service also produced a book, edited by Valerie Munday, which explored further the links between Enfield and the slave trade. The book was sent to all schools in the borough, and formed the basis of a teaching resource aimed at Key Stages 2 and 3. Loan boxes and handling collections provided by the museum service include Ghanaian artefacts and items relating to the slave trade. In 2011, Enfield Racial Equality Council unveiled a plaque to commemorate abolition at the Enfield Civic Centre.

Squaring the Triangle was the theme of African History Month 2007 in Suffolk. The programme was co-ordinated by the Nia Project (a cultural, arts and heritage project) and explored the history and legacy of slavery through film, literature, exhibition, music and debate. The theme of Squaring the Triangle was underpinned by the African proverb, ‘Until the Lion tells his tale the tale of the hunt will always glorify the hunter’. Highlights included the Nia Memorial Lecture, given by the producer-director Pam Solomon-Fraser. Nubian Films short season looked at the current legacy of slavery and the Diaspora of African peoples. Talks, workshops and debates covered issues such as reparations, retribution, resistance, and educational guidelines for parents on how to discuss the African slave trade with children. Special recognition was given in the programme to Ghana’s 50th anniversary as an independent state. There were heritage walks around Ipswich to uncover some of the cultural connections with Africa, the Caribbean and Suffolk. A Youth Day Conference hosted by the Zimbabwe Youth brought together young people from the community to use music and poetry to explore their ideas on the legacy of the slave trade. Historian Maureen James and representatives from Suffolk County Council led pupils from local schools in researching the anti-slavery movements, with particular reference to the Clarkson family.

The Abolition of Slavery Quilt was created to commemorate the bicentenary by the Freedom Quilters of Wisbech, a community group with an interest in patchwork and quilting. The quilt is made of several panels, one of which depicts the Thomas Clarkson memorial in Wisbech town centre; other panels stress the link between Christianity and the abolition of the slave trade. It was displayed at Wisbech Baptist Church at the Annual Rose Fair in July 2007. The Rose Fair Flower Festival raises money for charity, and in 2007 had a theme of 'Heroes of Freedom'. The quilt was also loaned to Peckover House, a National Trust property in Wisbech. It remains on display at Wisbech Baptist Church.

Karibu provides information, advice and help service to African women and their families in Ipswich and Suffolk. Karibu women joined the celebrations marking African History Month in Suffolk in 2007. The event 'Reaching Out Promoting Cultural Values' was designed to reach out to other local communities. It featured a keynote speaker address, workshops on health and beauty, and parades of foods and culture from Africa. 'Our Children Our Pride' was an activity day featuring carnival arts and crafts, drumming sessions, dance, and stories from Africa.

Threads of Strength and Fortitude was an exhibition of a series of textiles by artist Penny Sisto, created as a personal response to the bicentenary. The quilts were shipped over from New Albany, Indiana, and exhibited at the Royal Armouries in Leeds. Eight quilts explored the theme of slavery through depictions of servitude, emancipation and the flight to freedom. Pieces on show include 'Slave Ship 1,' which depicts eight enslaved Africans chained by their necks on a slave ship. Another quilt, 'Ran Away', showed a farmer leading Underground Railroad travellers by lantern light. The exhibition was accompanied by an interactive DVD, 'Ordinary People, Extraordinary Courage: Men and Women of the Underground Railroad in the Indiana and Kentucky Borderland'. There was also a series of events, including guest lectures and workshops on the subject of the abolition of slavery aimed at school and community groups. Art-based workshops explored the themes of peaceful resistance.

The African and African Caribbean Kultural Heritage Initiative (ACKHI) is a not-for-profit Black Afrikan-led community organisation, with the aim is to promote, protect and preserve the history, heritage and culture, of peoples of Black African heritage living or working in Oxfordshire. The Out of Africa programme of events in 2007 included an exhibition of books about slavery and the slave trade, which toured Oxfordshire libraries, and performances of African music and contemporary dance. The ‘Remembering Slavery’ commemorative service was held in Christ Church Cathedral. ‘Connections’ was a research project looking at Oxfordshire’s links to the system of slavery and the slave trade. ‘InTentCity’ was a visual arts project, in partnership with Fusion Arts, bringing together cultural groups, primary schools and artists to transform tents into works of art – one theme addressed was ‘Freedom’. Reflecting the legacy of the system of slavery and the slave trade, ‘Common Threads’ was an exhibition of textile work by the Textiles for Peace group, local women representing multi-cultural Oxfordshire. In ‘Ancestral Souls’, the African Women’s Art Collection (AWAC) collaborated with women of African descent to produce and exhibit 200 dolls to represent the diaspora of African peoples.

A programme of events from Wolverhampton City Council to mark the bicentenary, which included a public debate about whether the British government should apologise for the slave trade, services of remembrance and film screenings. Other highlights included stories from Wolverhampton City Archives about the city's role in sustaining the slave trade, and abolishing it, and a discussion and writing workshop with the black writer Fred D'Aguiar and members of Wolverhampton's Black Readers and Writers group. 'Our Ancestors, Our Heritage, Our Stories' was a showcase event highlighting the work of the African Caribbean Community Panel.

A carnival of dance held at Moggerhanger Park in Bedfordshire in Summer 2008 to mark the bicentenary. The project was led by arts organisation T. Hop (The H'art of Performance) with schoolchildren from Stephenson Lower and Moggerhanger Lower School. The theme was the history of carnival and slavery in Trinidad.