The National Museum Afroperuano (or National Museum of Afro-Peruvian History) opened in 2009. Housed in the 'House of Thirteen Coins', in Lima, the museum is dedicated to acquiring, preserving and interpreting objects relating to African history in Peru.
The exhibitions begin by examining the arrival of Africans in Peru, via the Portuguese slave trade. The interpretation explores the process of enslavement and transportation alongside the nature of plantation work and the treatment of the enslaved by the Portuguese. A range of artefacts, artist representations and artefacts visually present these issues to visitors.
The exhibition examines the abolition of slavery in 1856 following the rise of Simon Bolivar and the independence of Peru. Objects and photographs then depict the influences of African culture in different aspects of Peruvian life, including music, dress, art and food.
The Badagry Heritage Museum is housed in the former district officer’s office that was constructed in 1863. The museum attempts to highlight the injustice and horror of the transatlantic slave trade, whilst also exhibiting the rich histories and cultures of Africa. There is a specific focus on the heritage of pre and post-transatlantic slave trade in Badagry. The museum consists of eight galleries each dealing with particular themes relating to local heritage and the transatlantic slave trade. Guided tours are available. The museum is managed by the Nigerian Cultural Commission.Each of eight galleries are named after a part of the transatlantic slave trade. The first, the 'Introductory Gallery', focuses on the founding and early history of Badagry. The next five galleries all deal specifically with distinct phases of the slave trade, from capture, transportation, material culture, resistance, and industry. In these galleries are objects that illustrate the brutal nature of enslavement, including shackles and manacles, as well as replicas of slave ships. The seventh gallery examines the forced integration of the enslaved into the countries they were transported to, featuring videos of reconstructed slave auctions. Finally, the last gallery explores abolition movements and the persistence of slavery even after its legal end. The museum has attempted to incoporate the voices of local people within the displays, as well as depicting the significance they place on certain cultural and historical items within the museum. In addition to the historical collections, there are also some examples of contemporary art throughout, showing modern reflections on the systems of enslavement.
Situated on the grounds of a nineteenth-century merchant’s house and slave quarters, Kura Hulanda is an anthropological museum that focuses on the cultures of Curacao. Its displays examine a wide range of subjects from the origins of man, the African slave trade, and West African Empires, to Pre-Colombian gold, Mesopotamian relics and Antillean art. The museum is located in the central harbour of Willemstad, where Dutch merchants traded enslaved Africans and commercial goods. Kura Hulanda Museum demonstrates the influence that African and other diverse cultural heritages have had on Curaçaoan and Caribbean societies through time to the present day. It is managed by the Curaçao Tourist Board. The museum's exhibits trace Curaçaoans African roots and the legacy of the slave trade in the region with collections of art and artefacts from West Africa, illustrating the African influences on Caribbean culture. Displays chart African civilisations, the Middle Passage, life on the plantations, abolition and apprenticeship. There is a model of a slave ship, alongside examples of African bronze work, and instruments that showcase the brutal nature of enslavement. Other displays bring the narrative closer to the present day, examining the Civil Rights movement in the USA with panels relating to the Black Panthers, Martin Luther King and Malcolm X.
The Angolan National Museum of Slavery (or Museu Nacional da Escravatura in Portugese) was founded by the National Institute of Cultural Patrimony in 1997. Its main aim is to depict the history of slavery in Angola. The museum is situated in a chapel which once belonged to Álvaro de Carvalho Matoso, one of the largest Portugese slave-traders in the eighteenth century. It is also next door to Capela da Casa Grande, a seventeenth-century structure which was once used for baptising enslaved Africans before they were shipped to the Americas. The museum has a large collection of items that were utilised in the slave trade, as well as items relating to African culture pre- and post- transatlantic slave trade and a vast photography collection. Situated 15.5 miles outside the city of Luanda, the museum forms an extraordinary landmark along the "Slave's Route."
While the museum itself is realtively modest, it's aim is a big one; 'it is a testament and a reminder of the history of the Angolan people who lived in the day of slavery and it stands as a monument to those who suffered and were affected by slavery.' The narrative in the museum focusses predominantly on Portugal, the main European slave trader in the Angola region. It provides a contextual history of the Atlantic Slave Trade, as well as highlighting slavery in Africa before the involvement of Europeans.
The National Maritime Museum is the largest maritime museum in the world. It forms part of the Royal Museums Greenwich UNESCO World Heritage Site. The NMM houses ten galleries that all showcase Britain’s Maritime History. Its mission is 'to enrich people’s understanding of the sea, the exploration of space, and Britain's role in world history’. ‘The Atlantic Worlds Gallery,' launched in 2007 for the commemoration of the bicentenary, charts the interconnections between Britain, Africa and the Americas between 1600 and 1850. The gallery is about the movement of people, goods and ideas across and around the Atlantic Ocean from the 17th century to the 19th century. The connections created by these movements affected people across three continents, impacting on their cultures and communities and shaping the world we live in today. Four main themes are explored within the gallery, including exploration, war, enslavement and resistance. These displays benefited extensively from the museum's purchase of the Michael Graham-Stewart Slavery Collection in 2002. 'Atlantic Worlds' charts the triangular trade through African civilisations, enslavement and the Middle Passage, and the abolition movement. It recounts the stories of some of the people involved in the resistance movement and the campaign for the abolition of the transatlantic slave trade – including Toussaint l’Ouverture, Olaudah Equiano and Samuel Sharp whose acts of resistance and rebellion were crucial to the turning of European public opinion against the trade. Its narrative also goes beyond the achievement of legal abolition in Britain, to include discussions of the Royal Navy's involvement in suppressing the trade world wide.