There are an estimated 403,000 people living in modern slavery in the United States (GSI 2018). Sex trafficking exists throughout the country. Traffickers use violence, threats, lies, debt bondage and other forms of coercion to compel adults and children to engage in commercial sex acts against their will. The situations that sex trafficking victims face vary, many victims become romantically involved with someone who then forces them into prostitution. Others are lured with false promises of a job, and some are forced to sell sex by members of their own families. Victims of sex trafficking include both foreign nationals and US citizens, with women making up the majority of those trafficked for the purposes of commercial sexual exploitation. In 2015, the most reported venues/industries for sex trafficking included commercial-front brothels, hotel/motel-based trafficking, online advertisements with unknown locations, residential brothels, and street-based sex trafficking.
The Global Slavery Index 2018 estimates that on any given day there were nearly 8 million people living in modern slavery in India. While the bonded labour system is formally abolished and criminalised, recent research indicated that bonded labour is still prevalent in India. A 2016 report found that in the state of Tamil Nadu, 351 of 743 spinning mills used bonded labour schemes, otherwise known as Sumangali schemes. Similarly in granite quarries, wage advances and loans with an interest ranging from 24% to 36% are used to bond workers. Situations of debt bondage are often aggravated by the need to raise emergency funds or take on loans for health crises.
There are an estimated 136,000 people living on conditions of modern slavery in the United Kingdom (Global Slavery Index 2018). According to the 2017 annual figures provided by the National Crime Agency, 5,145 potential victims of modern slavery were referred through the National Referral Mechanism in 2017, of whom 2,454 were female, 2688 were male and 3 were transgender, with 41% of all referrals being children at the time of exploitation. People are subjected to slavery in the UK in the form of domestic servitude, labour exploitation, organ harvesting and sexual exploitation, with the largest number of potential victims originating from Albania, China, Vietnam and Nigeria. This data however does not consider the unknown numbers of victims that are not reported.
In 1967, Detroit experienced one of the most brutal race rebellions in its history. In the early hours of June 23rd, the police raided an after hours club. Expecting to find a few people inside, they instead found 82 individuals. Everyone was arrested and escorted from the building, and as this happened, a crowd of 200 people gathered. As the night slowly crept into the next morning, violence and looting emerged on Twelfth Street, and the Detroit rebellion was underway. The rebellion carried on for five days. Mayor Jerome Cavanagh initially sought to quash the uprising with police units, but failed to gain support for this tactic as many African Americans in the city deemed the police the problem. In 1968, a year after Detroit’s violent rebellion, a local community organizer named Frank Ditto contacted muralists Bill Walker and Eugene Eda Wade, asking them to create a mural in his local community. Wanting to create a mural that could project an expression of black unity during a time of racial pain, Walker and Wade set about creating the Wall of Dignity. Painted on the façade of an abandoned ice-skating rink, the mural was broken down into three main sections. The top half of the mural depicted diasporic scenes of ancient life in Africa, whilst the middle section functioned as a collection of portraits of prominent African American men and women who sacrificed their lives by fighting for black liberation throughout history. The faces of Marcus Garvey, Malcolm X, Martin Luther King Jr., Mary McLeod Bethune and Stokely Carmichael line the wall. The bottom section of the mural, enveloping the words ‘The Wall of Dignity’, depicts scenes of enslavement. Silhouetted figures of manacled men and women stretching their chains taut as they stretch for freedom are countered by figures raising their unshackled hands to the sky in moment of liberty. Towards the left-hand side of the mural, a poem titled ‘Slave Ship’ reads:
I am a prince, speak with respect I shall not be chained to your Bloody deck To live in this filth and stench? Ooooaaee a poor soul have died on his bench This meaning does burst the drums of my ears Long hours from my home seem like years A prince to ear the food of jackals!! My arms, my leg bleed from your shackles You must look to my woman What had been done to one so sweet, so mild? AAAHHH! Within here was my child. Strange tongued-golden haired man I will not journey to your land. Leave me…leave me be… Cast my carcass into the sea The sea.. Black..Black like me.
The Be Her Freedom campaign is part pf the A21 movement which comprises of individuals, organizations, government officials, and members of the public who are committed to abolishing injustice in the 21st century. The image replaces the shackled pleading hands of past antislavery campaigns with a clenched fist - a symbol of self-determination and self-liberation.
The image promotes the work of the Bakhita Initiative which is the Roman Catholic Church in England's response to the issue of contemporary human trafficking. The key stakeholders of the Bakhita Foundation are the Catholic Bishops' Conference of England and Wales, Caritas Westminster, and the Metropolitan Police. The image depicts Josephine Margaret Bakhita, F.D.C.C., (ca. 1869- 8 February 1947). Josephine was born in Darfur, Sudan. She was kidnapped into slavery as a girl in c.1877. In 1883, in Khartoum, Bakhita was purchased by the Italian Vice Consul Callisto Legnani. Bakhita eventually left Sudan with the family. She was taken in by the Canossian Sisters in Venice and refused to rejoin the Legnani family. On 29 November 1889 an Italian court ruled that Bakhita had never been legally enslaved because Sudan had outlawed slavery before her birth and because slavery was not recognised under Italian law. She became a Canossian sister and lived and worked in Italy for 45 years. She was eventually made a saint and has been adopted as the only patron saint of Sudan.