The Scarlet Cord by Pamela Alderman is an installation that examines child sex slavery. Her website describes it 'As visitors step inside a 40-foot storage container filled with thirty doors, they enter a secret world. This dark world crosses religious and social economic borders to sell our children for sex. The twisting scarlet cord depicts the trauma bond that connects the children to their traffickers. The weathered doors represent these abused children whose youthful minds have become knotted. Alderman’s art—dedicated to these suffering children tethered within the sex industry—calls for compassionate action.'
Indira works in a granite quarry near Katmandu. She is 7 years old. The granite is sent to Britain to provide stone tiles for patios. Children are paid the equivalent of 25 cents a day to perform tiring and dangerous work with little or no safety gear. Approximately 32,000 children in Nepal work in stone quarries. Some are as young as 5 years old Many work besides their parents who are in debt bondage with little hope of escaping. Some live at the work site which is watched by guards who forbid them from leaving. The children are forced to perform hazardous jobs and if they refuse the employer withholds food from the family. Eradicating child labor from Nepal is difficult because it is fundamental to the economy. This mural was painted in conjunction with the 6th Annual Welling Court Mural Project in Astoria, Queens. It is located on 12th Street in between Welling Court and 30th Rd.
Each day, children make several trips down the mountain, delivering stones from higher up in the Himalayas. They use makeshift harnesses out of ropes and sticks, strapping the stones to their heads and backs. Many of them come from families where everyone is trapped in debt bondage slavery. One of the mothers describes what it was like to be in slavery, “Neither can we die, nor can we survive.”
Campaign by the United Nations to bring an end to child labour. The hand-prints reaching out gesture towards the absent child and in doing so resists a common trope within humanitarian campaigns - relying on images of the suffering child to evoke sympathy.
Students at Presentation College, Bray, Ireland explored the issue of contemporary slavery and created a mural to raise awareness about the different forms of slavery that exist today. They then planned a workshop to present their work to their peers and parents about these issues. The mural has traveled around Ireland inspiring others to engage with the fight against contemporary slavery.