Wooden shackles used on the coast of West Africa for securing coffles of enslaved people. This image formed part of the Harris Lantern Slide Collection. Under King Leopold II the Congo Free State used mass forced labour to extract rubber from the jungle for the European market. As consumer demand grew King Leopold II's private army - the Force Publique - used violent means to coerce the population into meeting quotas, including murder, mutilation, rape, village burning, starvation and hostage taking. Alice Seeley Harris and her husband Reverend John H. Harris were missionaries in the Congo Free State from the late 1890s. Alice produced a collection of images documenting the horrific abuses of the African rubber labourers. Her photographs are considered to be an important development in the history of humanitarian campaigning. The images were used in a number of publications. The Harrises also used the photographs to develop the Congo Atrocity Lantern Lecture which toured Britain and the the USA raising awareness of the issue of colonial abuses under King Leopold II's regime. Source: Antislavery International.

In 2001, Brooklyn-based muralist Leola Bermanzohn created a mural in the Flatbush area of Brooklyn titled Women Warriors. Bermanzohn works as a muralist for the Groundswell organisation, launched in 1996 with the mission of bringing together artists, youth and community organisations to create murals that beautify local neighbourhoods and give expression to underrepresented ideas and perspectives. Women Warriors was created in collaboration with Sister Outsider – an organisation run by and for women of colour that aimed to help women enter the professional world of work and operate in the political realm. The mural was at the organisation’s headquarters and depicted antislavery leaders Harriet Tubman and Sojourner Truth as well as Nefertiti, Rosa Parks and Assata Shakur, alongside a poem written by Audre Lorde. It had been destroyed by 2015.

The Democratic Republic of the Congo has been plagued by conflicts over control, extraction and distribution of natural resources such as coltan, diamonds and oil. In this exhibition, photographers Isabel Muñoz, National Photography Award 2016, and Concha Casajús present the struggle of Congolese women in the face of the use of sexual violence as a weapon of war. The show is a series of portraits and testimonies of women from Bukavu, in the province of South Kivu, in the east of the country. The exhibition aims to make the situation of these women visible, as well as the violence they suffer. But at the same time, it invites us to reflect on the way in which these women face such suffering, rejecting in many cases the status of victims and trying to survive with dignity. Many have managed to get rid of this stigma and have struggled collectively to become activists and successful women. All a song to those women who have broken the silence and, from mutual support and sorority, have become true heroines of this twenty-first century.

Women and Abolition was a collaborative project exploring the role of women in the abolition movement, led by CETTIE (Cultural Exchange Through Theatre in Education) and Yaa Asantewaa Arts and Community Centre. The event in March 2007 included a panel debate, presentations by women activists, poetry and performances of the theatre productions 'Sugar n Spice' and 'Splendid Mummer'.

One major trope in 19th-century antislavery visual culture was the auction block, which featured in the Liberator masthead from 1831 to 1865 as a scene with crowds of onlookers. In 21st-century antislavery imagery, the auction block is back. In 2010, the Task Force on Human Trafficking opened an installation called “Woman to Go,” featuring real women sitting or standing on blocks behind glass in a shopping center in Tel Aviv, each with a price tag and barcode.

There are an estimated 136,000 people living on conditions of modern slavery in the United Kingdom (Global Slavery Index 2018). According to the 2017 annual figures provided by the National Crime Agency, 5, 145 potential victims of modern slavery were referred through the National Referral Mechanism in 2017, of whom 2,454 were female, 2688 were male and 3 were transgender, with 41% of all referrals being children at the time of exploitation. People are subjected to slavery in the UK in the form of domestic servitude, labour exploitation, organ harvesting and sexual exploitation, with the largest number of potential victims originating from Albania, China, Vietnam and Nigeria. This data however does not consider the unknown numbers of victims that are not reported. Witness B was brought to the United Kingdom by her employer to work as a domestic worker to support her family. Upon arrival, Witness B was not fed, was subjected to physical abuse and was not paid for their work. After 12 weeks she ran away, scared for her life. Though Witness B was helped by a charity organisation under the National Referral Mechanism, she was still unable to work in the UK and provide for her family. Witness B tells of her experience of the current support system in place in the UK for human trafficking survivors, believing it inadequate for trafficked domestic workers such as herself.

There are an estimated 136,000 people living on conditions of modern slavery in the United Kingdom (Global Slavery Index 2018). According to the 2017 annual figures provided by the National Crime Agency, 5, 145 potential victims of modern slavery were referred through the National Referral Mechanism in 2017, of whom 2,454 were female, 2688 were male and 3 were transgender, with 41% of all referrals being children at the time of exploitation. People are subjected to slavery in the UK in the form of domestic servitude, labour exploitation, organ harvesting and sexual exploitation, with the largest number of potential victims originating from Albania, China, Vietnam and Nigeria. This data however does not consider the unknown numbers of victims that are not reported. Witness A was trafficked for commercial sexual exploitation in the UK as a minor. Witness A tells of the numerous organisations and agencies who failed to recognise that she had been trafficked, resulting in her continued exploitation. Subjected to sexual and physical violence, Witness A often found herself in contact with A&E, the police and child services who did not help her escape her exploiters and, on occasion, placed the blame upon herself. Witness A states that it was not until she reached out to the Salvation Army that she was able to escape her exploitation and was placed in a safehouse. However, Witness A talks about the lack of support available even after she was rescued from her traffickers.

Withelma Ortiz Walker Pettigrew grew up in the U.S. foster care system. Between the ages of 10 to 17 she was subjected to commercial sexual exploitation in Oakland, California, on the streets and in strip clubs and massage parlours. She now serves on the boards of the Human Rights Project for Girls (Rights4Girls), and the National Foster Care Youth and Alumni Policy Council, and is a consultant for the National Center for Missing and Exploited Children. She founded the Still Alive Initiative in 2009, which provides mentoring and counseling for survivors of commercial sexual exploitation, and consulting and training for government agencies, institutions, and nonprofits on youth policy and service provision.

The Wisbech and Fenland Museum is one of the oldest, purpose-built museums in Britain. With its origins dating back to 1835, visitors are welcomed into a real ‘treasure house,' with collections housed in original nineteenth century cases. The museum is free to enter and focusses on local history, housing the vast and varied collection of the town’s literary and museum societies. Using these, the museum presents displays on a range of themes relating to key local industries, wildlife, archaeological finds and important people from the area.

One of these important people is Wisbech-born Thomas Clarkson, and it is through him that the theme of antislavery fills several of the largest cases in the main gallery. Using a combination of personal collections, archive material and objects linked to the wider slave trade (notably whips and a manacle), the museum follows Thomas Clarkson’s contribution to the abolition campaign, both in Britain and abroad. The museum also exhibits the narrative of Thomas’ brother John Clarkson who was instrumental in facilitating the movement of freed-slaves from Nova Scotia, Canada, to Sierra Leone.

This display was developed as a larger, standalone exhibition for the 2007 bicentenary entitled ‘A Giant with One Idea,’ but this was reduced following the end of the commemorations as funding was withdrawn.

There are an estimated 518,000 people living in modern slavery in Egypt, 465,000 in Sudan and an estimated 451,000 in Eritrea (GSI 2018). Since 2006 tens of thousands of Eritreans fleeing widespread human rights abuses and destitution have ended up in Egypt’s Sinai Peninsula. Until 2010, they passed through Sinai voluntarily and generally without any problems and crossed in to Israel. However, since then, Sudanese traffickers have kidnapped Eritreans in eastern Sudan and sold them to Egyptian traffickers in Sinai who have subjected at least hundreds to violence in order to extort large sums of money from their relatives. Winta* escaped Eritrea to Sudan for the second time in 2012. However, she was kidnapped and held by smugglers, subjected to sexual abuse daily. Winta was held until her family paid a ransom to free her.

In 2005, an anonymous artist painted a mural in Los Angeles that depicted many heroes of African American history. The faces of antislavery leaders Sojourner Truth and Frederick Douglass, alongside Muhammad Ali, Martin Luther King Jr., Malcolm X and Rosa Parks, lined the street. By 2015, the building had fallen into disrepair and the mural had been destroyed.

Alongside commemorating the passing of the 1807 Abolition Act, the ‘William Wilberforce, Slavery and the East Riding’ exhibition at the Treasure House in Beverley also highlighted Wilberforce’s connections with the East Riding of Yorkshire. The exhibition traced the roots of the Wilberforce family back to the early 13th century, and narrated the story of William Wilberforce’s early life in a family of merchants, and later, his significant contributions to the abolition campaign. It also looked at the other links between the East Riding and slavery, in the family fortunes of the Beverley family and Watt family, founded on ownership of slave plantations, but also the anti-slavery societies established in the region. The exhibition ended by highlighting the plight of the millions of people still enslaved across the world today, and discussed some of the contemporary antislavery efforts.