Foreign workers constitute more than 20 percent of the Malaysian workforce and typically migrate voluntarily—often illegally—to Malaysia from Bangladesh, India, Nepal, Burma, Indonesia, the Philippines, and other Southeast Asian countries, mostly in pursuit of better economic opportunities. Some of these migrants are subjected to forced labour or debt bondage by their employers, employment agents, or informal labour recruiters when they are unable to pay the fees for recruitment and associated travel. Aakash, 24, from Nepal, became trapped in debt bondage in the electronics industry in Malaysia.
It is estimated that almost 8 million people are living in conditions of modern slavery in India (GSI 2018). The skewed sex ratio in some regions of India has fuelled the trafficking and selling of women and young girls as brides within India. Women are reportedly sold off into marriage by their families, sometimes at a young age, and end up enduring severe abuse, rape and exploitation by their husbands. It is also reported that women and girls from impoverished backgrounds have been lured by promises of marriage by younger men from urban areas, then forced into sex work once married. Needing to care for her siblings Aalakunta Mamatha was prevented from getting an education, despite attempts from MVF to convince her parents to send her to school. Mamatha’s parents also fixed her marriage against her will. Despite MVF preventing the marriage, Mamatha is under constant pressure from her family to get married.
There are an estimated 518,000 people living in modern slavery in Egypt. As reported over the past five years, Egypt is a source, transit, and destination country for men, women, and children subjected to forced labour and sex trafficking. Egyptian children are vulnerable to sex trafficking and forced labour in domestic service, street begging, and agricultural work. Aaliyah was 14 when she was forced to marry a 26-year-old man.
India has a population of more than 1.3 billion people, there are still at least 270 million people living on less than US$1.90 per day. While laws, systems and attitudes regarding key 'fault lines' such as the caste system, gender and feudalism are rapidly changing, social change of this depth and scale necessarily takes time. In this context, it is perhaps unsurprising that existing research suggests that all forms of modern slavery continue to exist in India, including intergenerational bonded labour, forced child labour, commercial sexual exploitation, forced begging, forced recruitment into nonstate armed groups and forced marriage. Aanya was living in poor conditions and having to care for nine children when her husband fell sick. In order to pay for his treatment, she took a loan from a mahajan and was forced to work at his house to repay the debt. When one day she had to care for her husband and could not go in to work, the mahajan refused to allow her back to work, forcing Aanya to send her children to work in the fields to help repay back the debt.
Experts estimate millions of women and children are victims of sex trafficking in India. Traffickers use false promises of employment or arrange sham marriages in India or Gulf States and subject women and girls to sex trafficking. In addition to traditional red light districts, women and children increasingly endure sex trafficking in small hotels, vehicles, huts, and private residences. Traffickers increasingly use websites, mobile applications, and online money transfers to facilitate commercial sex. Children continue to be subjected to sex trafficking in religious pilgrimage centers and by foreign travelers in tourist destinations. Many women and girls, predominately from Nepal and Bangladesh, and from Europe, Central Asia, Africa, and Asia, including minority populations from Burma, are subjected to sex trafficking in India. Aarya obtained a job in domestic work after her father's alcohol consumption meant there was a shortage of food for the family. Aarya was subjected to sexual exploitation by her employer and eventually moved to a flat where she was forced to perform sexual services for clients. Unable to tell her parents under fear of losing much needed income for the family Aarya remained silent about her exploitation.
There are an estimated 518,000 people living in modern slavery in Egypt, 465,000 in Sudan and an estimated 451,000 in Eritrea (GSI 2018). Since 2006 tens of thousands of Eritreans fleeing widespread human rights abuses and destitution have ended up in Egypt’s Sinai Peninsula. Until 2010, they passed through Sinai voluntarily and generally without any problems and crossed in to Israel. However, since then, Sudanese traffickers have kidnapped Eritreans in eastern Sudan and sold them to Egyptian traffickers in Sinai who have subjected at least hundreds to violence in order to extort large sums of money from their relatives. Aatifa* was kidnapped, raped and beaten for a month on her way to Israel from Eritrea.
The UK National Crime Agency estimates 3,309 potential victims of human trafficking came into contact with the State or an NGO in 2014. The latest government statistics derived from the UK National Referral Mechanism in 2014 reveal 2,340 potential victims of trafficking from 96 countries of origin, of whom 61 percent were female and 29 percent were children. Of those identified through the NRM, the majority were adults classified as victims of sexual exploitation followed by adults exploited in the domestic service sector and other types of labour exploitation. The largest proportion of victims was from Albania, followed by Nigeria, Vietnam, Romania and Slovakia. Abdul was struggling to support his family when he accepted a job in London. However, upon arrival he was taken to Scotland and forced to work in a hotel.
Without parents to care for her, Abirami was forced to live at a relative’s house from a young age, where she suffered abuse and was later prevented from attending school so she could perform domestic duties for the family. She ran away to become a child soldier in Sri Lanka at the age of 13. Although Abirami joined the Liberation Tigers of Tamil Eelam (LTTE or Tamil Tigers) movement voluntarily, rather than being abducted like many other children, her recruitment at such a young age is against international law and now considered a war crime. Having now left the LTTE, Abirami discusses the possibilities of what she might do next and struggles to imagine her future.
Lancaster was the UK's fourth largest slaving port at the height of the transatlantic slave trade in the 18th century. Lancashire Museums worked with a range of partners to raise awareness of this largely hidden history - first from 2002 through STAMP (the Slave Trade Arts Memorial Project), and in 2007 through Abolished? This bicentenary project consisted of exhibitions, creative writing, radio broadcasts, and schools projects, one of which produced a Slavery Town Trail that explored some of the buildings made possible by the wealth the slave trade brought to Lancaster. At the heart of the project were commissioned installations and interventions by artists Lubaina Himid ('Swallow Hard: The Lancaster Dinner Service' at the Judge's Lodgings) and Sue Flowers ('One Tenth' at Lancaster Maritime Museum). Both were accompanied by outreach programmes and workshops with local schools. A touring exhibition was produced in partnership with Anti-Slavery International and Lancashire County Council Youth and Community, which looked at transatlantic slavery and modern day slavery. The exhibition toured throughout Lancashire.
Abolition was an art project devised and led by artist Jack Brown, in collaboration with Tidemill Primary School in Deptford. It took place during Black History Month 2007, and aimed to commemorate the abolition of the transatlantic slave trade while recognising the existence of modern day slavery. Every child in the school made a 'step', an artwork representing their perspective on the writing, discussion and petitioning that drove abolition. The children visited the Laban Building at Trinity Laban Conservatoire of Music and Dance and laid their step on the studio theatre floor. Taken together, the steps were conceived as a 'stairway to change'.
Hackney Museum's Abolition 07 exhibition told the story of British involvement in the transatlantic slave trade, the resistance to it, and its abolition, and in particular emphasised the involvement of Hackney's residents in the abolition movement. The display included new artwork by Godfried Donkor in collaboration with young Hackney artists. A film of interviews with Hackney residents, Hear My Voice, was produced. Over 1200 children from Hackney Primary Schools took part in poetry workshops at the museum with poets Adisa and Baden Prince. Their poems and responses were published in the booklet 'And Still I Rise'.
The research into Hackney's connections to the transatlantic slave trade continued in 2013-2015 with 'Local Roots / Global Routes', a collaborative project between Hackney Museum and Archives and the Legacies of British Slave-ownership project.
Bristol was major trading port for the transatlantic slave trade in the 18th century. The city of Bristol marked the bicentenary of the Abolition Act with more than 100 events across the city - exhibitions, plays, debates, talks, concerts - under the umbrella organisation Abolition 200. In January 2007, city leaders signed a declaration of regret for the city's role in the trade. Over the weekend of 24-25 March, bells rang out across the city and a Service of Remembrance and Reconciliation was held at Bristol Cathedral, organised by a partnership of the Cathedral and the Council of Black Churches. 2007 was themed as the Year of Black Achievement, aiming to bring better provision of black heritage resources to schools in Bristol, with a particular focus on black attainment. Over 30 creative community projects were funded by Abolition 200 - including art installations, educational projects and community theatre - to reflect the themes of education, commemoration and legacy.
Featured here are some of the events from Abolition 200.
A programme of events from Wolverhampton City Council to mark the bicentenary, which included a public debate about whether the British government should apologise for the slave trade, services of remembrance and film screenings. Other highlights included stories from Wolverhampton City Archives about the city's role in sustaining the slave trade, and abolishing it, and a discussion and writing workshop with the black writer Fred D'Aguiar and members of Wolverhampton's Black Readers and Writers group. 'Our Ancestors, Our Heritage, Our Stories' was a showcase event highlighting the work of the African Caribbean Community Panel.
Nottingham Castle Museum held two exhibitions in 2007. Inspired by the anti-slavery medallion produced by Josiah Wedgwood in the 1790s, a group of young people from Nottingham’s African Caribbean community worked with artist Katherine Morling to explore issues surrounding slavery and the representation of black people in art. The group worked under the name Sankofa. The ceramic Globe of Freedom was fired at the Wedgwood factory in Staffordshire, and was displayed at Nottingham Castle Museum alongside the Wedgwood medallion. The word ‘FREEDOM’ is impressed on one side and ‘EQUALITY’ impressed on the other. A replica sculpture is still used as part of a handling collection loaned to schools and community groups in the Nottingham region. A second exhibition, in collaboration with the Open University in the East Midlands, looked at the British slave trade using slave narratives, telling the story of three survivors of slavery: Mary Prince, Robert Wedderburn and Quobna Ottobah Cugoano.
The Greater London Authority produced an Events Guide for Londoners in 2007 detailing some of the initiatives taking place in the capital involving the Mayor. This included Africa Day on Trafalgar Square, celebrating the positive contributions of London's African communities, and 'Rise: London United', an anti-racist music festival. The conference 'Faith Symposium: In God's Name?' at City Hall examined the role of the Church in the transatlantic slave trade. There was also a seminar on the legacies of the transatlantic slave trade from a Caribbean perspective and a Caribbean Publishers Book Fair held at London Metropolitan University. The Dr Eric E. Williams Memorial Lecture Series at City Hall was made available as a webcast.
This exhibition held by the Cadbury Research Library: Special Collections at the University of Birmingham included material from the archives of the Church Missionary Society held there, and some of its rare book collections. The accompanying information boards are featured here. The exhibition focused on the role of religion in the abolitionist movement, the power of the African voice in literature, and the role played by Birmingham residents in the anti-slavery campaigns. A booklist on anti-slavery publications held at the library was also produced. The exhibition was part of a University-wide initiative, with additional involvement from academic departments and the Guild of Students. An online exhibition was also produced in collaboration with the Library of the Religious Society of Friends: 'Quakers and the path to abolition in Britain and the colonies'.
Abolition Truths was a panel-led talk and Q&A session at Harrow Civic Centre in October 2007, led by a creative arts community group Beyond the Will Smith Challenge (BTWSC). The event had a particular emphasis on the role of African freedom fighters and abolitionists, the Haitian Revolution, and the revolts, campaigns and boycotts leading to the passing of the 1807 Act. The event was interspersed with music and poetry, including a musical piece 'Then to Now' performed by Africanus Britanicus, and featuring HKB Finn & Co, which told the story of slavery and its legacy across the African diaspora. Teenage poet Stefan Testsola performed a poem on the theme of abolition. There was also a presentation of the Professor Allotey Science Prize, awarded to Harrow students of African descent.
Other BTWSC events in November 2007 included a discussion session with Ms Serwah, 'Putting the Abolition & Slavery Into Perspective' at Willesden Green Library, presented in association with Brent Black History Brent Library. 'From The Talking Drums to Rap & Grime' at Tavistock Hall in Harlesden commemorated the Abolition Act through narration and a musical concert.
Abney Park is a non-denominational cemetery in Stoke Newington, London. The walking tour Abolition Voices from Abney Park was developed to highlight the individuals connected with the abolition of slavery buried there, including the Baptist missionary Reverend Thomas Burchill (associated with Samuel Sharpe and the 'Baptist War' in Jamaica), Reverend Newman Hall and Reverend James Sherman (both associated with abolition in the USA). The grave of Joanna Vassa, daughter of Olaudah Equiano, was identified and restored. The monument to Joanna Vassa was designated Grade II listing by Historic England in 2008 as part of the bicentenary commemorations. There were accompanying talks and school workshops. Abney Park Cemetery Trust was also responsible for the carving of a new memorial stone for the writer Eric Walrond.
Colchester and Ipswich Museum Service produced an exhibition about slavery and the trade in enslaved Africans and the life of Thomas Clarkson, the abolitionist campaigner who lived the latter part of his life at Playford Hall near Ipswich. The exhibition focused in particular on the African and local history collections in the museum service. A replica mahogany travelling chest was produced as a handling box for local schools - Thomas Clarkson famously displayed a chest filled with materials from Africa and the slave trade while travelling on anti-slavery campaigns.
The exhibition was produced in collaboration with the Nia Project, and was part of a wider programme of events and outreach activities with local schools and African and Afro-Caribbean community groups. The artist Anissa-Jane worked with members of the Ipswich community to create a new art installation to accompany the exhibition.
This piece of art by Hank Willis Thomas is based on the Brookes slave ship image which was made famous by the British abolitionist campaign against transatlantic slavery. The artist said of the piece that “Racism is the most successful advertising campaign of all time... Africans have hundreds if not thousands of years of culture. Having all of these people packed into ships and then told they’re all the same, reducing them to a single identity—that’s absolute power.”